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"On" or "for" Nothing/Rien: Nothing, Silence and Noise in Samuel Beckett and John Cage

Smith, Jackson B.

Symposium (Syracuse), 2020-07, Vol.74 (3), p.168-181 [同儕審閱期刊]

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John Cage and nonrepresentational spaces of music

Kruse, Robert

Social & cultural geography, 2021-07, Vol.22 (6), p.767-782 [同儕審閱期刊]

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Instrumental Interaction and Subversion in John Cage's Concert for Piano and Orchestra

Payne, Emily

Contemporary music review, 2022-05, Vol.41 (2-3), p.172-192 [同儕審閱期刊]

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Experimentations. John Cage in Music, Art and Architecture

Kakalis, Christos

Journal of architecture (London, England), 2017-02, Vol.22 (2), p.359-363 [同儕審閱期刊]

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John Cage's Cartridge Music (1960): 'A Galaxy Reconfigured'

Bernstein, David W.

Contemporary music review, 2014-11, Vol.33 (5-6), p.556-569 [同儕審閱期刊]

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'Back from Weather Which Had Been Reached to Object': John Cage's Number Pieces Two (1987) and Four (1990)

Hünermann, Tobias

Contemporary music review, 2015-01, Vol.33 (5-6), p.597-615 [同儕審閱期刊]

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John Cage's Silent Piece and the Japanese gardening technique of shakkei: Formalizing Whittington's conjecture through conceptual graphs

Fowler, Michael D.

Journal of mathematics and music (Society for Mathematics and Computation in Music), 2019-01, Vol.13 (1), p.4-26 [同儕審閱期刊]

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John Cage ou les histoires du doute

Broqua, Vincent

Transatlantica, 2015-02 [同儕審閱期刊]

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Kōan-like ambiguities in John Cage's Electronic Music for Piano: a novel application of formal concept analysis

Fowler, Michael D.

Journal of mathematics and music (Society for Mathematics and Computation in Music), 2017-01, Vol.11 (1), p.20-41 [同儕審閱期刊]

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John Cage y la posibilidad de pensar el sonido como acontecimiento, aproximaciones filosóficas a su obra

Celedón B, Gustavo

Revista musical chilena, 2015, Vol.69 (223), p.73-85 [同儕審閱期刊]

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