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"On" or "for" Nothing/Rien: Nothing, Silence and Noise in Samuel Beckett and John Cage

Smith, Jackson B.

Symposium (Syracuse), 2020-07, Vol.74 (3), p.168-181 [同儕審閱期刊]

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“I Have Nothing to Say”—John Cage, Biopower, and the Demilitarization of Language

Stricklin, Raymond Blake

Journal of modern literature, 2020-03, Vol.43 (3), p.98-115 [同儕審閱期刊]

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NORTHWESTERN UNIVERSITY'S JOHN CAGE COLLECTION: HISTORY AND ONGOING DEVELOPMENT

Hoek, D. J.

Notes (Music Library Association), 2020-03, Vol.76 (3), p.406-415 [同儕審閱期刊]

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“Revision of the Golden Rule”: John Cage, Latin America, and the Poetics of Non-Interventionism

Anderson, Vaughn

Journal of modern literature, 2017-09, Vol.41 (1), p.58-80 [同儕審閱期刊]

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A MUSICOLOGICAL SWEATSHOP: MAKING AN INVENTORY OF THE MUSIC MANUSCRIPTS OF JOHN CAGE, 1992–1993

van Emmerik, Paul

Notes (Music Library Association), 2018-09, Vol.75 (1), p.53-63 [同儕審閱期刊]

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A “Sound” Approach: John Cage and Music Education

Hill, Stuart Chapman

Philosophy of music education review, 2018-04, Vol.26 (1), p.46-62 [同儕審閱期刊]

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John Cage and 4'33

Murphet, Julian

Australian humanities review, 2022-11 (70), p.112-112 [同儕審閱期刊]

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Instrumental Interaction and Subversion in John Cage's Concert for Piano and Orchestra

Payne, Emily

Contemporary music review, 2022-05, Vol.41 (2-3), p.172-192 [同儕審閱期刊]

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Experimentations. John Cage in Music, Art and Architecture

Kakalis, Christos

Journal of architecture (London, England), 2017-02, Vol.22 (2), p.359-363 [同儕審閱期刊]

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John Cage's Cartridge Music (1960): 'A Galaxy Reconfigured'

Bernstein, David W.

Contemporary music review, 2014-11, Vol.33 (5-6), p.556-569 [同儕審閱期刊]

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