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Readying Cavalli's operas for the classroom: textbooks, editions, and the teaching of a non-canonic composer
Readying Cavalli's operas for the classroom: textbooks, editions, and the teaching of a non-canonic composer
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Readying Cavalli's operas for the classroom: textbooks, editions, and the teaching of a non-canonic composer

Robert Holzer

Musica docta, 2014-12, Vol.4 (2), p.13-23 [同儕審閱期刊]

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2
Musical Authenticity as ‘Being True to the Moment’
Musical Authenticity as ‘Being True to the Moment’
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Musical Authenticity as ‘Being True to the Moment’

Alessandro Bertinetto

The Polish journal of aesthetics, 2019, Vol.54 (3/2019), p.9-28 [同儕審閱期刊]

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3
On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević
On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević
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On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević

Tomašević, Katarina

Muzikološki zbornik, 2016-06, Vol.52 (1), p.27-40 [同儕審閱期刊]

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4
Zgodovina glasbe na Slovenskem, knjige 1, 3 in 4
Zgodovina glasbe na Slovenskem, knjige 1, 3 in 4
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Zgodovina glasbe na Slovenskem, knjige 1, 3 in 4

Medić, Ivana

Muzikoloski Zbornik, 2022-12, Vol.58 (2), p.205-223 [同儕審閱期刊]

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5
Slovenian Music in the First Decade after the Second World War – In Search of Socialist Realism
Slovenian Music in the First Decade after the Second World War – In Search of Socialist Realism
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Slovenian Music in the First Decade after the Second World War – In Search of Socialist Realism

Pompe, Gregor

Muzikološki zbornik, 2018-01, Vol.54 (2), p.187-208 [同儕審閱期刊]

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6
Jason Moran’s Staged: Improvisational Blurring and the Boundaries of Conceptual Art
Jason Moran’s Staged: Improvisational Blurring and the Boundaries of Conceptual Art
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Jason Moran’s Staged: Improvisational Blurring and the Boundaries of Conceptual Art

Tracy McMullen

The Polish journal of aesthetics, 2019, Vol.54 (3/2019), p.29-45 [同儕審閱期刊]

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7
The Art of Music in the Period from Monteverdi to Bach
The Art of Music in the Period from Monteverdi to Bach
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The Art of Music in the Period from Monteverdi to Bach

Weiss, Jernej

Muzikoloski Zbornik, 2018-07, Vol.54 (1), p.163-168 [同儕審閱期刊]

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8
Estetika fragmenta kot ključ za razumevanje Schumannove Hausmusik
Estetika fragmenta kot ključ za razumevanje Schumannove Hausmusik
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Estetika fragmenta kot ključ za razumevanje Schumannove Hausmusik

Bogunović Hočevar, Katarina

Muzikološki zbornik, 2007-12, Vol.43 (1), p.99-105 [同儕審閱期刊]

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9
The concept of “musical degeneration”: From fin-de-siècle pesimism to the nationalsocialist rule
The concept of “musical degeneration”: From fin-de-siècle pesimism to the nationalsocialist rule
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The concept of “musical degeneration”: From fin-de-siècle pesimism to the nationalsocialist rule

Vasiljevic, Maja

Filozofija i društvo (Zbornik radova), 2012, Vol.23 (3), p.237-252 [同儕審閱期刊]

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