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PL Voice Leading and the Uncanny in Pop Music

Forrest, David L.

Music theory online, 2017-12, Vol.23 (4) [同儕審閱期刊]

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Reimagining Historical Improvisation: An Analysis of Robert Levin’s Fantasy on Themes by W. A. Mozart, October 29, 2012

Rabinovitch, Gilad

Music theory online, 2020-06, Vol.26 (2) [同儕審閱期刊]

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“On the System of Stravinsky’s Harmony” by Yuri Kholopov: Translation and Commentary

Ewell, Philip A

Music theory online, 2013-06, Vol.19 (2) [同儕審閱期刊]

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FROM MEN TO MACHINES AND BACK: AUTOMATA AND THE RECEPTION OF VIRTUOSITY IN EUROPEAN INSTRUMENTAL ART MUSIC, C. 1815-C. 1850

Cvejic, Zarko

New sound, 2016-01, Vol.48 (2), p.65

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The place of ‘Russian music’ on the multicultural map of Europe

Piotrowska, Anna

Muzikologija : časopis Muzikološkog instituta Srpske akademije nauka i umetnosti, 2016, Vol.2016 (21), p.109-122

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The Study of Music Theatre in the Russian Context: Italian Contributions and the Current Debate/Gli studi scenico-musicali in ambito russistico. Contributi italiani e dibattito in corso

Giust, Anna

Studi slavistici, 2023-07, Vol.20 (2), p.217 [同儕審閱期刊]

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O Novo Estado da Arte dos Estudos em Performance

Pace, Ian ; Louveira, Vitória ; Teixeira, William

Revista Vórtex, 2020-01, Vol.8 (2), p.1-22 [同儕審閱期刊]

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Understanding Religious Music: A Smorgasbord

Zangwill, Nick

Religions (Basel, Switzerland ), 2024-04, Vol.15 (4), p.453 [同儕審閱期刊]

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Recapitulatory Compressions in Some Texted and Instrumental Works by Schubert

Guez, Jonathan

Music theory online, 2020-06, Vol.26 (2) [同儕審閱期刊]

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An Octatonic History of Prokofiev’s Compositional Oeuvre

Bazayev, Inessa

Music theory online, 2018-06, Vol.24 (2) [同儕審閱期刊]

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