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Material Type: magazinearticle
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| 2 |
Material Type: 期刊文獻
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Timbre, Process and accords fixes: Dutilleux and his Younger French ContemporariesAnderson, JulianContemporary music review, 2010-10, Vol.29 (5), p.447-461 [同儕審閱期刊]可取得全文 |
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Rioting with Stravinsky: a Particular Analysis of the Rite of SpringChua, Daniel K. LMusic analysis, 2007-03, Vol.26 (1-2), p.59-109 [同儕審閱期刊]可取得全文 |
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Material Type: 期刊文獻
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Orchestration Strategies in Simon Steen-Andersen’s Double UpLaursen, LasseMusic theory online, 2016-09, Vol.22 (3) [同儕審閱期刊]可取得全文 |
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Material Type: 期刊文獻
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XIII Festival Internacional de Música ContemporáneaOrtega, FernandoRevista musical chilena, 2013-01, Vol.67 (219), p.143-146 [同儕審閱期刊]可取得全文 |
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Material Type: 期刊文獻
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Music with Images--The Development of Helmut Lachenmann's Sound Composition Between Concretion and TranscendenceNonnenmann, Rainer ; Hoban, WielandContemporary music review, 2005-02, Vol.24 (1), p.1-29 [同儕審閱期刊]可取得全文 |
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Material Type: 期刊文獻
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The Scratch Orchestra and Visual ArtsParsons, MichaelLeonardo music journal, 2001-01, Vol.11, p.5-11 [同儕審閱期刊]可取得全文 |
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Material Type: 期刊文獻
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Music as capital: Deputizing among London's freelance musiciansCottrell, StephenBritish journal of ethnomusicology, 2002-01, Vol.11 (2), p.61-80 [同儕審閱期刊]可取得全文 |
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Material Type: 期刊文獻
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Bernard Rands's ... Body and Shadow ...: Modernist, postmodernist, or antimodernist?Kramer, Jonathan D.Contemporary music review, 2001-01, Vol.20 (4), p.29-43 [同儕審閱期刊]可取得全文 |
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Material Type: magazinearticle
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Becoming Esa-Pekka: how Salonen made himself a vital part of Los Angeles's cultural lifeMangan, TimothyOpera news, 2005-07, Vol.70 (1), p.30可取得全文 |
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