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新理异态——明末清初五家书画展
新理异态——明末清初五家书画展
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新理异态——明末清初五家书画展

东方艺术, 2016 (10), p.144-144

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2
从“桃符”到装饰的演变——楹联的形式与书法
从“桃符”到装饰的演变——楹联的形式与书法
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从“桃符”到装饰的演变——楹联的形式与书法

叶鹏飞

书法, 2012 (1), p.88-92

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3
明代书法创作论
明代书法创作论
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明代书法创作论

朱以撒

福建师范大学学报：哲学社会科学版, 1994 (2), p.122-127

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新理异态——明末清初五家书画展
新理异态——明末清初五家书画展
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新理异态——明末清初五家书画展

艺术品, 2016 (5), p.120-120

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5
简论书法的继承与创新
简论书法的继承与创新
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简论书法的继承与创新

潘呈杰 倪文东

中国经济周刊, 2015 (18), p.84-85

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晚明刻帖失真与“尊碑”意识萌芽的出现
晚明刻帖失真与“尊碑”意识萌芽的出现
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晚明刻帖失真与“尊碑”意识萌芽的出现

吕金光 成海明

艺术百家, 2013 (3), p.200-203 [Peer Reviewed Journal]

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7
创作随想录
创作随想录
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创作随想录

金丹

中国书画, 2011 (8), p.97-101

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