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草书的节奏表现
草书的节奏表现
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草书的节奏表现

林敏华

美术观察, 2015 (11), p.96-99

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2
书写背后的自我
书写背后的自我
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书写背后的自我

董水荣

荣宝斋, 2015 (4), p.246-247

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3
草书
草书
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草书

王玲

基础教育论坛, 2014 (6X), p.72-73

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4
翰墨珠联 书画璧合——与张旭光、乙庄伉俪的对话
翰墨珠联 书画璧合——与张旭光、乙庄伉俪的对话
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翰墨珠联 书画璧合——与张旭光、乙庄伉俪的对话

东方艺术, 2008 (4), p.140-169

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5
试论孙过庭《书谱》在草书发展史上的地位
试论孙过庭《书谱》在草书发展史上的地位
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试论孙过庭《书谱》在草书发展史上的地位

王旷生

文艺生活：艺术中国, 2016 (3), p.138-142

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6
初悟与彻悟的艰苦升华——王文学的书法工夫浅谈
初悟与彻悟的艰苦升华——王文学的书法工夫浅谈
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初悟与彻悟的艰苦升华——王文学的书法工夫浅谈

杨力斌

企业文明, 2015 (6), p.109-109

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7
取法高古 功性兼备——王文勇书法评述
取法高古 功性兼备——王文勇书法评述
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取法高古 功性兼备——王文勇书法评述

傅德锋

文艺生活：艺术中国, 2016 (6), p.62-69

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8
书法的格调——品读《史培刚书法作品集》有感
书法的格调——品读《史培刚书法作品集》有感
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书法的格调——品读《史培刚书法作品集》有感

吴雪

传奇．传记文学选刊, 2015 (2), p.96-96

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9
书法的格调——品读《史培刚书法作品集》有感
书法的格调——品读《史培刚书法作品集》有感
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书法的格调——品读《史培刚书法作品集》有感

吴雪

决策, 2014 (12), p.19-19

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10
傅山四题
傅山四题
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傅山四题

赵琰哲

中国书法, 2017 (1), p.124-135

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