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Coming to the Stage: Identity, Performance, and Persona in Women's Comedy.

Cynia. Barnwell Sarah Lawrence College. 2015

Masters Abstracts International 54-05(E).

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The most sublime (and salacious) song: An exploration of the hyper-sexualization of a female minority in Song of Songs.

Frederic(k) Anthony, Jr. McGee Garrett-Evangelical Theological Seminary. Graduate School. 2010

Masters Abstracts International 48-06.

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Ghetto: An historical, aesthetic, and theoretical modality.

Romi. Crawford The University of Chicago. English Language and Literature. 2011

Dissertation Abstracts International 72-05A.

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Frame up in Monroe: The Mae Mallory Story.

Yie. Foong Sarah Lawrence College. 2010

Masters Abstracts International 48-05.

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Poor urban neighborhoods: The influence of stress on Black American men.

Rome Darwin. Meeks Michigan State University. Human Development and Family Studies - Master of Science. 2014

Masters Abstracts International 53-06(E).

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Her stories of multiple jeopardy: A narrative inquiry of older African American women.

Cyrena M. Duncan Southern Connecticut State University. 2014

Masters Abstracts International 53-04(E).

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"They imprison the whole population": U.S. and South African prison literature and the emergence of symbiotic carcerality, 1900--present.

G. Rashad. Shabazz Sanders University of California, Santa Cruz. 2008

Dissertation Abstracts International 69-05A.

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Encounter theatre as a means of social change and empowerment.

David D., II. Coleman Lesley University. 2004

Dissertation Abstracts International 65-04A.

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Problems of race and genre in the critical reception of Porgy and Bess.

Gwynne Kuhner. Brown University of Washington. 2006

Dissertation Abstracts International 67-11A.

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Behind the smile: Negotiating and transforming the tourism-imposed identity of Bahamian women.

Dellareese M. Higgs Bowling Green State University. 2008

Dissertation Abstracts International 69-03A.

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