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Ghetto: An historical, aesthetic, and theoretical modality.

Romi. Crawford The University of Chicago. English Language and Literature. 2011

Dissertation Abstracts International 72-05A.

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2
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Worldly Desires: Cosmopolitanism and cinema in Hong Kong and Taiwan.

Brian. Hu University of California, Los Angeles.

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3
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The spectacle of gender: Representations of women in British and American cinema of the nineteen-sixties.

Nancy McGuire. Roche Middle Tennessee State University. 2011

Dissertation Abstracts International 72-10A.

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4
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Having it both ways: Bisexualities/bi-textualities and contemporary crossover cinema.

Maria. San Filippo University of California, Los Angeles. 2007

Dissertation Abstracts International 69-03A.

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If I could choose: Internalized homophobia of the queer cinema movement.

James J. Flaherty San Jose State University. Theatre Arts. 2010

Masters Abstracts International 48-06.

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Jungle boys, babus and camp orientals: The liminal personae of the film star Sabu.

Jyoti. Argade Northwestern University. Performance Studies. 2009

Dissertation Abstracts International 70-04A.

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The new Asian female ghost films: Modernity, gender politics, and transnational transformation.

Hunju. Lee University of Massachusetts Amherst. Communication. 2011

Dissertation Abstracts International 72-05A.

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The affective nation: Tracing the temporal assemblage of Indian media.

Lakshmi. Padmanabhan Georgetown University. Communication, Culture & Technology. 2011

Masters Abstracts International 49-05.

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"He's a peculiar man": Borderland masculinities in "No Country for Old Men" and "The Three Burials of Melquiades Estrada".

Emma J. Dodds University of Wyoming. American Studies. 2011

Masters Abstracts International 49-05.

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The movie men: The male body as spectacle in European cinema.

Giorgio. Galbussera City University of New York. Comparative Literature. 2011

Dissertation Abstracts International 73-02A.

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