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董其昌的「尚意」書學──從董其昌對的評述談起

郭晉銓(Chin-Chuan Kuo)

東吳中文學報, 2016-11 (32), p.057-078

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書學在帖學傳統中的典範意義

郭晉銓(Chin-Chuan Kuo)

東吳中文學報, 2016-05 (31), p.137-158

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乙未自燕回-元初文人山水畫與金代士人文化

石守謙

國立臺灣大學美術史研究集刊, 2015-09 (39)

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從〈幼輿丘壑圖〉談元之作畫精神

徐嘉霠(Hsu, Jia-Yin)

書畫藝術學刊, 2022-12 (33), p.131-170

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、文徵明詞之江南書寫析論

林佳蓉(LIN, JIA-RONG)

中國學術年刊, 2020-09 (42_2), p.111-146

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陳琳〈谿鳧圖〉之研究

陳德馨(Te-Hsin Chen)

漢學研究, 2015-03, Vol.33 (1), p.093-127

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元明間的白描淵明逸致圖像-(傳)《畫淵明歸去來辭》的筆法風格及淵明形象的承繼初探

陳妍卉

藝術欣賞, 2009-06, Vol.5 (3)

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從蘇軾與的畫論看文人畫的美學思想

陳麗華

鵝湖, 2003-03, Vol.28=333 (333), p.25-34

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錢選〈羲之觀鵝圖〉與〈幼輿丘壑圖〉之比較

張育雯

議藝份子, 2002-03 (4), p.014-022

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二羊圖之意義

李鑄晉(CHU-TSING LI)

中國文化研究所學報, 1973-12, Vol.6 (1)

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