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1
浅析郭熙及《林泉高致集》中的绘画思想
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浅析郭熙及《林泉高致》中的绘画思想

作家, 2010 (20), p.229-230

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2
影响近现代山水画进程的隐者
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Article
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影响近现代山水画进程的隐者

张勇

金秋, 2014 (6), p.35-35

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3
宋代山水画中的点景建筑研究综述
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宋代山水画中的点景建筑研究综述

李楠

大众文艺, 2012 (18), p.42-43

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4
倪瓒《雨后空林图》浅谈
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Article
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倪瓒《雨后空林图》浅谈

王佳

芒种, 2012 (16), p.231-232

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5
明代浙派绘画的先行样式——元代李、郭派山水画风格研究
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Article
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明代浙派绘画的先行样式——元代李、郭派山水画风格研究

铃木敬【日】 董双叶(译)

新美术, 2012, Vol.33 (4), p.4-10

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6
探析明代画家董其昌的艺术思想
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探析明代画家董其昌的艺术思想

岳俊杰

芒种, 2012 (15), p.170-171

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7
泼墨狂扫风云壮 元气淋漓画意新——李晓东山水画赏析
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Article
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泼墨狂扫风云壮 元气淋漓画意新——李晓东山水画赏析

廖静文

建筑与文化, 2011 (10), p.43-43

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8
从《万壑松风图》看李唐山水画风的转折
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magazinearticle
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从《万壑松风图》看李唐山水画风的转折

郑晓芳

大众文艺, 2014 (12), p.84-84

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