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王客
王客
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王客

王客

东方艺术, 2017 (8), p.151-151

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王客
王客
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王客

王客

东方艺术, 2016 (24), p.153-153

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碑学视域下的离散书写——游寿书法心路研究
碑学视域下的离散书写——游寿书法心路研究
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碑学视域下的离散书写——游寿书法心路研究

陈必滔 王毅霖

东南学术, 2016 (1), p.240-245

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书出金石
书出金石
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书出金石

高天娇

艺术科技, 2016, Vol.29 (6), p.216

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中国碑学与日本书法“维新运动”
中国碑学与日本书法“维新运动”
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中国碑学与日本书法“维新运动”

刘超

书法, 2017 (10), p.129-132

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刻石垂久:宋代学田碑的历史解读
刻石垂久:宋代学田碑的历史解读
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刻石垂久:宋代学田碑的历史解读

贾灿灿

郑州大学学报：哲学社会科学版, 2017 (5), p.104-110

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黄姚文明阁《重阳登高联咏碑》与清末碑学书风之窥--潇贺古道石刻文化系列研究之六
黄姚文明阁《重阳登高联咏碑》与清末碑学书风之窥--潇贺古道石刻文化系列研究之六
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黄姚文明阁《重阳登高联咏碑》与清末碑学书风之窥--潇贺古道石刻文化系列研究之六

陈叶飞

贺州学院学报, 2015, Vol.31 (2), p.6-9

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乾嘉碑学中的“善写”与“善鉴”——以邓石如和翁方纲为例
乾嘉碑学中的“善写”与“善鉴”——以邓石如和翁方纲为例
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乾嘉碑学中的“善写”与“善鉴”——以邓石如和翁方纲为例

李柯霖

书法, 2016 (8), p.64-71

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邓石如的碑学实践及其对清代碑学的意义
邓石如的碑学实践及其对清代碑学的意义
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邓石如的碑学实践及其对清代碑学的意义

张晟

常州工学院学报（社会科学版）, 2014, Vol.32 (1), p.46-49

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康有为篆隶为源观的技术实现--篆隶笔意与清代碑派题榜书法的创变
康有为篆隶为源观的技术实现--篆隶笔意与清代碑派题榜书法的创变
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康有为篆隶为源观的技术实现--篆隶笔意与清代碑派题榜书法的创变

张红军

文化艺术研究, 2017, Vol.10 (1), p.147-153

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