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- 同儕審閱期刊 (1,034)
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1909 and after: High Modernism and 'New Music'Whittall, ArnoldMusical Times, 2009-04, Vol.150 (1906), p.5-18可取得全文 |
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2. Debussy’s Préludes as Cultural Mediators Between East and WestMarisi RossellaReview of Artistic Education, 2023-03, Vol.25 (1), p.7-15 [同儕審閱期刊]可取得全文 |
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Material Type: 圖書章節
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2007: Expression and Its Discontents: Toward an Ecology of Musical CreationGurevich, Michael ; Treviño, JeffreyA NIME Reader, 2017, p.299-315可取得全文 |
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THE 80TH ANNIVERSARY OF THE FACULTY OF MUSIC IN BELGRADE 1Marinković, SonjaNew sound, 2018-01, Vol.51 (1), p.175-194可取得全文 |
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Ã"pera o "limbo". EscenografÃa y música para la creación de un mundo entre realidad y fantasÃa en la Rusia finisecularHernández, Cristina AguilarCuadernos de música, artes visuales y artes escénicas, 2012-01, p.79可取得全文 |
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'A permanent influence': Beethoven's impact on Prokofiev's piano writingO'SHEA, GARYMusical Times, 2015-10, Vol.156 (1932), p.49-62可取得全文 |
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‘A S cience of T onal L ove ’? D rive and D esire in T wentieth ‐C entury H armony : the E rotics of S kryabinSMITH, KENNETHMusic analysis, 2010-03, Vol.29 (1-3), p.234-263 [同儕審閱期刊]可取得全文 |
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'A Science of Tonal Love'? Drive and Desire in Twentieth-Century Harmony: the Erotics of SkryabinSMITH, KENNETHMusic analysis, 2010-03, Vol.29 (1-3), p.234-263 [同儕審閱期刊]可取得全文 |
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Aaron Copland and the Politics of Twelve-Tone Composition in the Early Cold War United StatesDeLapp-Birkett, JenniferThe Journal of musicological research, 2008-01, Vol.27 (1), p.31-62 [同儕審閱期刊]可取得全文 |
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