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Piano Concerto Dataset (PCD): A Multitrack Dataset of Piano Concertos
Piano Concerto Dataset (PCD): A Multitrack Dataset of Piano Concertos
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Piano Concerto Dataset (PCD): A Multitrack Dataset of Piano Concertos

Özer, Yigitcan ; Schwär, Simon ; Arifi-Müller, Vlora ; Lawrence, Jeremy ; Sen, Emre ; Müller, Meinard

Transactions of the International Society for Music Information Retrieval, 2023-09, Vol.6 (1), p.75-88 [同儕審閱期刊]

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2
EDWARD MACDOWELL’S PIANO CONCERTO NO. 2 IN THE CONTEXT OF THE ESTABLISHMENT OF THE AMERICAN BRANCH OF THE GENRE
EDWARD MACDOWELL’S PIANO CONCERTO NO. 2 IN THE CONTEXT OF THE ESTABLISHMENT OF THE AMERICAN BRANCH OF THE GENRE
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EDWARD MACDOWELL’S PIANO CONCERTO NO. 2 IN THE CONTEXT OF THE ESTABLISHMENT OF THE AMERICAN BRANCH OF THE GENRE

Olena ANTONOVA

Studia Universitatis Babeş-Bolyai. Musica, 2023-08, Vol.68 (Special Issue 2), p.303-314 [同儕審閱期刊]

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3
Beethoven's Error? The Modulating Ritornello and the Type 5 Sonata in the Post‐Classical Piano Concerto
Beethoven's Error? The Modulating Ritornello and the Type 5 Sonata in the Post‐Classical Piano Concerto
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Beethoven's Error? The Modulating Ritornello and the Type 5 Sonata in the Post‐Classical Piano Concerto

HORTON, JULIAN

Music analysis, 2021-10, Vol.40 (3), p.353-412 [同儕審閱期刊]

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4
Orchestration as a Means of the Synthesis of Classical and Romantic Approaches in Brahms’ Second Piano Concerto
Orchestration as a Means of the Synthesis of Classical and Romantic Approaches in Brahms’ Second Piano Concerto
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Orchestration as a Means of the Synthesis of Classical and Romantic Approaches in Brahms’ Second Piano Concerto

Rakochi, Vadim

Muzikološki zbornik, 2021-01, Vol.57 (1), p.25-63 [同儕審閱期刊]

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5
Beyond Mere Novelty: Timbre as Primary Structural Marker in Ravel’s Piano Concerto in G Major
Beyond Mere Novelty: Timbre as Primary Structural Marker in Ravel’s Piano Concerto in G Major
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Beyond Mere Novelty: Timbre as Primary Structural Marker in Ravel’s Piano Concerto in G Major

Beavers, Jennifer P.

Music theory online, 2019-12, Vol.25 (4) [同儕審閱期刊]

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6
Piano concertos, children, and social cognitive theory.(principal themes)
Piano concertos, children, and social cognitive theory.(principal themes)
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Piano concertos, children, and social cognitive theory.(principal themes)

Briscoe, Diane

Canadian music educator, 2014-04, Vol.55 (3), p.22-26 [同儕審閱期刊]

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7
Piano concerto for new hands
Piano concerto for new hands
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Piano concerto for new hands

Kriz, Andrea

Nature (London), 2018-05, Vol.557 (7703), p.134-134 [同儕審閱期刊]

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8
An extrovert and a misanthrope: Comparative analysis of virtuoso aspects and the impact of personalities in Franz Liszt's Piano concerto No. 1 in E-Flat Major and Alkan's concerto for Piano solo
An extrovert and a misanthrope: Comparative analysis of virtuoso aspects and the impact of personalities in Franz Liszt's Piano concerto No. 1 in E-Flat Major and Alkan's concerto for Piano solo
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An extrovert and a misanthrope: Comparative analysis of virtuoso aspects and the impact of personalities in Franz Liszt's Piano concerto No. 1 in E-Flat Major and Alkan's concerto for Piano solo

Golubović, Marija ; Komatović, Nikola

Zbornik radova Akademije umetnosti (Online), 2020, Vol.2020 (8), p.97-111 [同儕審閱期刊]

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9
Source Separation of Piano Concertos Using Musically Motivated Augmentation Techniques
Source Separation of Piano Concertos Using Musically Motivated Augmentation Techniques
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Source Separation of Piano Concertos Using Musically Motivated Augmentation Techniques

Ozer, Yigitcan ; Muller, Meinard

IEEE/ACM transactions on audio, speech, and language processing, 2024, Vol.32, p.1214-1225 [同儕審閱期刊]

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10
SERGEI RACHMANINOFF’S PIANO CONCERTO NO. 4, OP. 40: IMPLICATIONS OF THE ARC SHAPE IN THE FORMAL STRUCTURE AND IN RACHMANINOFF’S INTERPRETATIVE CONCEPTION
SERGEI RACHMANINOFF’S PIANO CONCERTO NO. 4, OP. 40: IMPLICATIONS OF THE ARC SHAPE IN THE FORMAL STRUCTURE AND IN RACHMANINOFF’S INTERPRETATIVE CONCEPTION
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SERGEI RACHMANINOFF’S PIANO CONCERTO NO. 4, OP. 40: IMPLICATIONS OF THE ARC SHAPE IN THE FORMAL STRUCTURE AND IN RACHMANINOFF’S INTERPRETATIVE CONCEPTION

Georgiana FODOR

Studia Universitatis Babeş-Bolyai. Musica, 2017-12, Vol.62 (2) [同儕審閱期刊]

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